Sunday, April 1, 2018
10:00 am – Noon
In this workshop, we will focus on the ghazal as a poetic form: beyond talk about the shape of the poem, the radif (refrain), the qafia (rhyme), and the poet’s signature, we will look at how the ghazal’s couplets can both exist as independent units and relate to one another and the poem’s whole. We will discuss how this quality allows the poet to create juxtaposition and make poetic leaps within a ghazal. Participants will also write.
Zeina Hashem Beck is a Lebanese poet. Her second full-length collection, Louder than Hearts, won the 2016 May Sarton New Hampshire Poetry Prize. She’s also the author of two chapbooks: 3arabi Song, winner of the 2016 Rattle Chapbook Prize, and There Was and How Much There Was, a smith|doortop Laureate’s Choice, selected by Carol Ann Duffy. Her first book, To Live in Autumn, won the 2013 Backwaters Prize. Her work has won Best of the Net, has been nominated for the Pushcart and the Forward Prize, and has appeared in Ploughshares, Poetry, the Academy of American Poets’ Poem-a- Day, and World Literature Today, among others. Her poem, “Maqam,” won Poetry Magazine’s 2017 Frederick Bock Prize. www.zeinahashembeck.com